If Souls Can Sleep, Book One of The Souls Sleep Cycle, was published in paperback and for Kindle on Jan. 30. (Other e-book formats will follow.)
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Filed under Writing
While watching a hardscrabble soccer game with my son, I proffered this platitude:
“You miss 100 percent of the shots you don’t take.”
Cue the eye roll.
My 10-year-old swiftly informed me there were posters proclaiming that very notion scattered throughout his school—three of them. Cliché though the expression may be, it’s nonetheless true that you can’t succeed if you don’t try. And probability suggests the more often you try, the better your odds of achieving.
I didn’t realize I was taking my own (borrowed) advice until I caught Yes Man on HBO the other night. That’s the one where a play-it-safe, stuck-in-a-rut loan officer makes a covenant with himself, promising to say yes to every request and opportunity.
In the movie, operating in an affirmative absolute yielded comical results. But this is real life. Unlike Jim Carrey’s character, I’d never blindly agree to everything. Lately, however, I’ve started forcing myself to come up with reasons to do something rather than not doing it.
As a result, 2018 is proving to be a year of trying new things and taking chances.
It began at the end of last year. While updating my business plan, I made the decision to attend more events. Why? My records showed I sold more books face-to-face than through any other marketing tactics in 2016 and 2017.
As a result, I earmarked a handful of conventions, conferences, and occasions where one might peddle one’s literary wares. Some were repeat appearances, but I also added a few new events, including Lakefly Writers Conference and WisCon.
So far sales have varied greatly from venue to venue. However, I’ve also realized networking can be its own reward.
I was fortunate enough to meet two other fantasy authors at Lakefly. We had fun trading stories about our individual writing, publishing, and marketing experiences before the the doors to the vendor room opened as well as over lunch. Those conversations continue today via group chats.
There’s certainly value in learning from the successes and missteps of other writers’ “yeses.”
The biggest thing to come out of meeting Malinda Andrews and Rebekah K. Bryan, however, was an invitation to contribute Rebels and Fools to an e-book box set comprised of six complete fantasy novels.
In fact, Sixfold Fantasy became a reality earlier this month. Buy it here.
Sometimes opportunities pass us by without our even knowing. That almost happened to me a week ago when an email that looked suspiciously like spam popped into my inbox. Thankfully, I took a closer read before banishing it to my junk folder.
Lo and behold, it ended up being an invitation to participate in something called the 24-Hour Theater Experience. This October, a handful of writers will be given a theme, number of characters, and nine hours to write a 10-minute play, which will then be rehearsed and performed by the local community theater troupe at a swanky Fond du Lac venue—all within in the span of a single day.
Turns out someone recommended me to be one of the writers. (Thanks, Dusty!)
Now I don’t fancy myself a playwright, but I do have experience writing scripts for commercials and other videos. It’s always a thrill to see actual people speaking the words you put on a page.
Comfort zone? Looks like I’m gonna exit stage left.
Here’s another adage: man plans, and God laughs.
I try to keep my production calendar as flexible as possible. Some projects—such as a comic book collaboration codenamed ONE-SHOT—started out as a “yes” but collectively became “no, not right now.”
On the other hand, I just finished writing a short story that was decidedly not part of Plan A and am contemplating publishing an e-book anthology of my shorter works—though not until 2019.
Yes, 2018 has already put plenty on my plate!
Filed under Writing
Writers never kill their darlings.
We just lock them away…in a dungeon…indefinitely…
Even when we expunge plots points from the pages, old drafts linger long after their expiration date, haunting hard drives and battered binders for years. The same goes for ideas that never even had a chance to thrive as well as stories that don’t survive a full draft.
I keep my little failures in a folder called “Ideas and false starts,” a literary gulag whose inmates date back to the turn of the century.
Bad is in the eye of the beholder. Most ideas start out as precious—too precious—so if the author passes harsh judgement on his/her own work, it’s probably really bad. Some common culprits are ideas that are too unrealistic, convoluted, or clichéd. If an idea doesn’t serve—or can’t support—the story, it has to go.
Then there are the ideas that might have made it to those two little words if only they had kept the author’s interest. Boredom aside, ideas also can lead writers down dead ends. Writer’s block has murdered many a storyline.
And here’s a tragedy: a perfectly adequate idea can perish before it reaches its full potential when a shiny new one shows up, usurping an author’s brainpower and priorities.
Abandoned ideas don’t really rest in peace. I, for one, occasionally visit their proverbial prison, poking and prodding to see if there’s any life left in them. Better to have many ideas waiting in the ward than too few to fill one’s time.
I admit very few people to this freak show. Family members, writers groups, beta readers—they alone get glimpses at the grotesqueries. However, after watching a certain movie and playing a somewhat related video game recently, I can’t help but wonder if there could be beauty in the bad.
The LEGO Batman Movie and LEGO Marvel Super Heroes 2 both feature D-list characters from comics past and present. If Condiment King and Chipmunk Hunk can star in successful stories, what about some of my own castoffs?
Supposing there’s validity to the theory that mixing up a bunch of bad ideas can result in something good, here are a few mostly forgotten characters of mine that could conceivably band together:
Digger (circa 1984)
Likely the first instance of my unfulfilled fiction, Digger’s Days would have recounted the adventures of Digger, a robot equipped with a drill and a number of other tools to do…stuff. I’m pretty sure this prototype didn’t make it past the drawing board, literally, since I was all of five years old when I sketched him. Still, what story couldn’t use a mechanical sidekick?
The Ultimate Crusaders (circa 1991–1993)
Drawing robots eventually led to illustrating massive battles. I flirted with the miserable (and trademark-infringing) G.I. Joe: The Next Generation before inventing cringe-worthy acronyms for my elite soldiers. Once my interest switched to comic books and their super-powered characters, I invented the Ultimate Crusaders. Many of these heroes and villains they thwarted were Marvel rip-offs (e.g. The Mutant Flame and Electra); others were just plain terrible (the Quarter Note and Herron, whose helmets were as groan-inducing as you might imagine). However, Mr. Mysterious did get reincarnated for a short story I wrote in college.
Yalte Dark Elf (fall 1994)
After months of building my own fantasy world, I decided to attempt a novel. While Altaerra would live on and eventually serve as the setting for The Renegade Chronicles, the original cast of “The Maltaken Experiment” did not. There was an elven bard, a gruff dwarf (of course), a warrior woman, a pixie, and a barbarian guy. Leading the pack, however, was dagger-flinging Yalte Dark Elf, whose only saving grace was that he wasn’t inspired by Forgotten Realm’s Drizzt Do’Urden (like most dark elves), but rather DragonLance’s Dalamar the Dark.
Tarreth (spring 2001)
An attempt at co-writing a fantasy series with a fellow college student quickly fizzled, but not before I wrote a scene introducing Tarreth, a half-immortal child adopted by a creepy old wizard. I think she was going to eventually destroy him and meet up with a delusional “Chosen One.” Alas, her quest was over before it began.
Benedict Strong (fall 2006)
When I stepped away from Altaerra to take a stab at a fantasy novel set in the real world, I conjured up Benedict Strong, who was one of only a handful of true wizards remaining on Earth. He learned from Merlin, I believe, and so did his rival/counterpart, Pandora, who used her arcane talents to perform true magic on stage—unbeknown to her Vegas audiences. Rasputin would have made a cameo. I know: hard to believe this one flopped.
Persephone (fall 2010)
Some ideas are enticing solely because they are something other than what you are currently working on. While up to my elbows in dream drifters, editing If Souls Can Sleep, I began mentally exploring a story where a teenage Wisconsinite named Persephone gets possessed by her unborn granddaughter, a time-traveler comprised of consciousness-preserving nanobots. Of all my bad ideas, Sunny’s story is most likely to orchestrate a jailbreak.
Ysa (spring 2013)
It turns out that writing a story about an alien anthropologist isn’t all that new. Ysa, a genderless extraterrestrial from a mostly lifeless universe, would have been one of three interplanetary delegates to travel to Earth, where the anthropologist would use his/her woefully incomplete knowledge of humankind to forge a lasting friendship between worlds. Naturally, Ysa would have discovered a conspiracy on one side or the other and then foiled it.
The Later Gator (fall 2013)
A few years ago, my wife and I penned a children’s chapter book. The Pajamazon Amazon vs The Goofers Twofers had a very limited run for complicated reasons, but the story foreshadowed a sequel in which the titular heroine would square off against an anthropomorphic alligator whose tide of chaos causes tardiness wherever he goes. The Later Gator still hasn’t shown up.
My abysmal mashup may never come to be, and there’s an excellent chance not a single one of these characters will ever escape my digital dungeon. But even if bad ideas can’t be reformed, they serve an important purpose.
Bad ideas take the brunt of punishment from an author’s inner critic. For example, if Benedict Strong hadn’t been such a bore, I might never have given Vincent Cruz a chance, which means The Soul Sleep Cycle would never have happened.
Once a bad idea is banished, we turn with fresh eyes to a new idea, our sadism sated…for now…
After people finish reading If Souls Can Sleep, they often wonder, “What happens next?”
While Book One of The Soul Sleep Cycle provides enough resolution to stand on its own, readers already know a second book in the series is forthcoming. There is plenty of dreamscape real estate left to explore, but where might the story go?
The good news is Book Two is scheduled for release this fall.
The bad news is readers will have to wait a little longer to find out what happens “next.”
If Sin Dwells Deep is technically a sequel to If Souls Can Sleep, since it was written—and will be published—after Book One. However, the events of ISDD do not follow those of ISCS chronologically.
The two novels span roughly the same timeframe: Book Two starts a couple of months before Book One and concludes a few days before the epilogue of ISCS, though that doesn’t make it a prequel.
If Sin Dwells Deep can best be described as a parallel novel.
I’m not sure how other parallel novels are born, but for me it happened by accident. You see, I didn’t realize I was composing a series when I started writing If Souls Can Sleep. I had many ideas and thought (naïvely) that I could fit them all in a single book.
Before long, however, I saw the error of my overambitious ways. Juggling so many focal characters and intertwining plots became untenable. Rather than one freakishly large baby, it turned out I had twins.
In the end, I decided If Souls Can Sleep would be Vincent’s story, with Milton’s storyline supplementing the main narrative.
And the ideas that didn’t make it in? Well, they were prime material for Book Two. In fact, Chapter 6 of an early draft of If Souls Can Sleep—a scene that introduced Project Valhalla dream drifter Allison Greene—became Chapter 1 of If Sin Dwells Deep.
Whereas Book One introduced the idea of dream drifting, Book Two reveals many more details about Project Valhalla’s mission and the men and women involved in that top-secret operation. The reader will also learn more about “the enemy”—those responsible for ambushing Milton prior to the start of the series—as well as a terrifying new villain.
A handful of scenes from Book One are shown from a different point of view in Book Two. But Book Two is more than just Vincent’s story told from another perspective. If Sin Dwells Deep focuses on Allison, aka Syn, and even though dream drifting is a big part of her life, she has her own personal demons to confront.
In short, the two stories are interconnected yet independent.
Although If Sin Dwells Deep won’t answer the question “What happens next?” the next novel will answer a more pertinent question: “What is the true threat to the dreamscape?”
By the time Book Three hits shelves in spring 2019, readers will have a clearer view of the big picture, setting up a confrontation that has been building for years. Not only will If Dreams Can Die answer “What happens next?” it will provide a satisfying conclusion for the series.
As for what happens after that, I always hold onto a few ideas just in case…
Filed under Writing
I recently spent five excruciating hours at my keyboard and have less than 100 words to show for it.
Granted, they are some of the most important words for my next novel—second only to the title, I’d argue—but the fact that so much time yielded so little leads to believe that blurbs are the blight of the publishing world.
OK, I may have griped about the challenges of various writing exercises over the years:
Today, however, I’m prepared to go on record as saying all else pales in comparison to penning the dreaded book blurb.
Not to be confused with a full-fledged synopsis (the bare-bones summery generally reserved for agent and publisher queries), a blurb is a relatively small chunk of text tasked with huge responsibility: selling the idea of the book to readers.
Blurbs are often found on the back cover as well as the product description page of an online retailer. Working in conjunction with an engaging cover art and a snappy title, the successful blurb hooks the shopper, converting a prospect into a customer.
Long blurbs run the risk of revealing too much. (Technically, revealing the protagonist, antagonist, and main problem should suffice.) Conversely, if the blurb is too concise or vague, an amazing plot could come off as uninspired.
It’s a balancing act even tightrope walkers fear.
Here’s the book blurb from If Souls Can Sleep.
For my last book, If Souls Can Sleep, I limited the blurb to five sentences: two for an enticing headline, one to tease the protagonist and plot, and two to introduce the world of dream drifters. Because that blurb received praise from reviewers, I took a similar approach to Book Two of The Soul Sleep Cycle.
Without further preamble, here is the still-in-progress blurb for If Sin Dwells Deep:
She swore to defend the dreamscape.
But who will save her from herself?
When her mentor goes missing, straight-laced Allison must rely on her alter-ego, the rebellious goddess Syn, to rescue him. Trusting anyone at Project Valhalla could cost her her life, but fighting alone might damn her very soul.
If Sin Dwells Deep — a parallel novel to If Souls Can Sleep — exposes the secret world of dream drifters and the classified government operation charged with protecting the collective unconscious from those who would use their abilities to corrupt life, death, and what lies beyond.
Given how important these 100 words are, I welcome/encourage/demand feedback. Would that blurb motivate you to flip open the cover or, better yet, add to cart? If not, why?
Thanks in advance for your comments!
Filed under Writing
Five years ago, I declared anyone can write a short story—except me. Since then, evidence to the contrary has surfaced.
In 2014, “Going Viral,” my light-hearted yet sinister tale that plays with the theme of perception vs. reality in the Information Age, received honorable mention in the L. Ron Hubbard Writers of the Future Contest.
Looking ahead at 2018, it’s likely another story, “The Lake Road,” will be included in a collection produced by a fellow indie publisher.
But in more recent news, “Ghost Mode,” my sci-fi short story that takes augmented reality to a chilling extreme, is among 40 stories comprising the One Million Project Fantasy Anthology, which—along with thriller and general fiction anthologies—is fundraising to fight cancer, homelessness, and more.
The anthology’s editor included this introduction for my contribution:
When someone who works closely with emerging technologies on a daily basis presents such an ominous portrayal of tech addicts in the not-too-distant future, you can’t help but wonder if it’s meant to be caricature or cautionary tale.
Given Ghost Mode’s playful tone, it’s likely a little of both.
David Michael Williams works for an interactive agency specializing in digital communication. He writes speculative fiction that spans the gamut from sci-fi to sword-and-sorcery.
One Million Project’s fantasy anthology is available at Amazon.com in both paperback and Kindle formats. All profits go to charity, so please consider supporting this worthy endeavor!
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Filed under Writing
On the heels of publishing my new novel, If Souls Can Sleep, I penned a couple of guest posts for blogs devoted to the readers and writers of speculative fiction.
The first article describes in painful detail how unwary readers can be bitten by the writer’s bug. It published on Jan. 29 in Rising Shadow. The second guest post focuses on the dangers of genre fiction. That one published on Feb. 4 in Sci-Fi and Scary.
Here’s a peek at both of them:
We all begin as oblivious victims.
Maybe it happened when you were a child, cracking open the cover of a surreal Seussian story. Or maybe the transformation transpired during adolescence when you first confronted the consciousness-expanding, mind-bending narratives of that pantheon of authors who enthrall the human psyche with the outlandish and otherworldly.
Whatever the circumstances, the books you’ve explored have changed you. You are a reader. Moreover, you are a reader of fantasy and science fiction.
Oh, the words on the page seem innocuous enough. It’s just fiction, after all. But make no mistake: you’ve been infected by imagination.
And I’m sorry to report that sometimes creativity is contagious.
Imagine coming face to face with chaos incarnate.
Maybe it’s an ancient abomination awakened by a sorcerer’s incantation. Or a rogue AI, unburdened by conscience, bent on overwriting our reality. Or perhaps you’re confronting some failed science experiment, a monstrosity fixated on destroying the very order upon which our civilization thrives.
Now, whichever form you wish to give this anarchic force, imagine it has done the unthinkable by destroying all notions of genre.
That’s right. The man-made system for distinguishing offshoots of speculative fiction from one another as well as Westerns, romance and even more remote boughs of the fictional family tree has been uprooted. You’ve been cast into an overgrown wilderness where fiction is just fiction.
Your skin prickles as you consider the implications. Pushing back panic, you type the URL to your preferred bookstore. But you’re too late. The functionality to filter by category is gone; the shortcut to your favorite stories, snuffed out.
How will you ever sort through the thousands—no, millions—of books that have been published to find the science fiction, horror, and dark fantasy books you cherish?
I contributed the above articles to gain some exposure for Book One of The Soul Sleep Cycle, which is now available in paperback and for Kindle.
Filed under Writing
