Please excuse me while I make some excuses.
You see, I’ve read 3,009 articles about how fiction writers need to become savvy marketers and self-promoters if they want their books to succeed commercially, and I fear I’m becoming a convert. (This very blog is evidence of that.)
Many of these how-to editorials cover common ground, but every now and then I discover one that contains tidbits I hadn’t uncovered before, as was the case with “10 Things Authors Ought to Know about Book Marketing.”
And even though writing advice is often rife with contradictions, one theme rears its draconian head again and again when it comes to writers and marketing: you should start your marketing strategy well in advance of your book’s publication.
Even if you don’t have anything else published yet.
Despite the chicken-and-egg paradox this presents—how can I get fans when I don’t yet have anything for them to be fans of?—I can appreciate the proactive approach presented in articles like “When should you start marketing your book?”
With so many marketing tips for fiction writers out there, I’ve come to a couple of deductions:
- Self-promotion must be important.
- Writers, apparently, aren’t inherently good at it.
But why don’t fiction writers approach marketing with more gusto? Read on.
Disclaimer: These are not universal facts about the fascinating and complex animal that is the Earth-dwelling author. They are possible truths about most fiction writers…or some fiction writers…well, at least, one fiction writer.
Excuse #1: We don’t have time.
Just about every writer I’ve met wishes he or she had more time for fiction writing. So when it comes to finishing that short story or meeting a novel’s daily word-count quota, that must come first, and writing blog posts, participating in forums, and engaging in other social media inevitably fall to the back burner.
Or off of the stove entirely.
On the other hand, I’ve come across very successful bloggers who seem to prioritize their marketing strategy above their fiction, periodically lamenting about their lack of progress on the latter. I suppose procrastination takes many forms, including other potentially productive, writing-related activities.
Certainly, there’s a balance to be maintained when it comes to creating a writing schedule—not this!—and even small steps can reap benefits.
Another thing to consider is that while promotional writing and fiction writing share some commonalities—including the arrangement of words and punctuation—the two disciplines have significantly different skill sets. Just because someone can crank out a novel, it doesn’t mean he or she innately understands or will excel at marketing writing. (Just ask anyone who has ever reduced a 100,000-word manuscript down to a single-sentence synopsis in order to hook an agent or editor.)
Learning how to promote one’s writing and oneself as an author takes time too.
Excuse #2: We don’t like talking about ourselves.
If fiction writers thought they, as individuals, were particularly interesting, they would be writing memoirs, not novels. Self-promotion (especially if done heavy-handedly) can sound an awful lot like bragging.
Fiction writers might sprinkle autobiographical details throughout their plots and into their people, but it’s far more comfortable to couch personal thoughts and emotions in imaginary scenarios.
While putting a piece of fiction out into the world does open us up to criticism, how much more vulnerable is an author when he or she puts him- or herself out there…as him- or herself?
It’s one thing to weather the blow when a reader bashes our characters and quite another to endure venom directed at our own character.
Excuse #3: We’re a little antisocial.
Writing can be a very solitary experience, and I suspect the craft attracts more than its fair share of introverts.
Think about it. We don’t need anyone else when it comes to thinking up ideas, performing our finger exercises at the keyboard, or tinkering until we’ve hammered out a full-fledged novel.
(Which isn’t to say that there aren’t advantages to letting others assist in the process, such as joining a writers group. Also, if you want to go from being a dabbler to a bona fide published author, you’re going to have to depend on others somewhere along the path from final draft to sale-worthy book.
These days, marketing—when done well—requires a certain level of networking. However, we authors generally prefer one-way narration to two-way conversations. And if we are engaging with the masses, we find that we must become “fans” (or “friends” or “followers”) of others in order for them to even think about being “fans” of ours.
One hopes that there are other motivations and rewards for networking with other writers and readers of your genre (other than just future sales), yet there is something inherently predatory when it comes to joining online communities, in particular, with the ulterior motive of building a fan base—even when you do it “right.”
Plus it can be difficult not to take it personally when forays into the marketing arena don’t pan out—such as when an insightful and time-consuming blog post doesn’t garner any comments. (HINT HINT!)
Perhaps worst of all, networking blurs the lines between author and audience as well as creator and creation, when we really just want to be appreciated our work. Because at the end of the day…
Excuse #4: We want our writing to speak for itself.
Yes, it’s naïve, but I believe there’s a part of every fiction writer that thinks if he or she writes something wonderful, a handful of people will read it and love it, and then news will spread faster than a virus in a zombie flick.
Sadly, that’s almost never how it works, and even though the popularity of self-publishing has put an awful lot of power in writers’ hands, that doesn’t necessarily diminish the challenges of getting your story to the reader. Even authors who go with traditional publishers have to pitch in when it comes to promotion if they want their books to get noticed.
With an ever-increasing amount of competition for readers’ time and transactions, there is no shortage of other writers who are trying to do exactly what you’re doing.
“If you write it, they will come” just doesn’t work.
No more excuses…
Even if there’s some merit in these excuses, it doesn’t change the fact that marketing one’s fiction is essential.
If we ignore the business side of writing, we might as well keep our manuscripts stored safely in a box under our bed or on a hard drives and forget about publication altogether. A book that isn’t nurtured by a deliberate marketing plan—or, at least, exposed to some occasional sunlight—is bound to wither.
What’s the best way to approach marketing? There are at least 3,009 articles out there to answer that question, but I’ll add this: when it comes to the challenges of marketing, there’s no one-size-fits-all approach—not so unlike fiction writing.
Good thing you’re so darn creative!