The pros get paid, plain and simple
Once you establish the worth of a product—whether it’s a frozen pizza or national news—it’s awfully difficult to convince people they should have been paying along.
Once you establish the worth of a product—whether it’s a frozen pizza or national news—it’s awfully difficult to convince people they should have been paying along.
I’ve read 3,009 articles about how fiction writers need to become savvy marketers and self-promoters if they want their books to succeed commercially, and I fear I’m becoming a convert.
An unfortunate truth about experiments: they often end in failure.
In this third installment of a series exploring the anatomy of a well-adjusted writer, the focus falls on another overlooked—and arguably undervalued—trait...
Here’s the good news: self-publishing puts authors in control of nearly every aspect of the publishing process. That’s also the bad news.
At first glance, the picture I painted of the well-adjusted writer might resemble some spineless creature. But even if writers tend to absorb ideas from the world around them like a sponge, that doesn’t mean they should lack backbones.
If one believes those crass, comedic movies aimed at teenaged and twenty-something males, the world’s population is divided into two categories: the popular guys who have gone all the way and the lowly virgins who can’t score to save their lives.
The traditional publishing model, if not dying, is being forced to evolve. And while The Way Things Are shift closer to The Way Things Were, many people are celebrating the fact that electronic formats make self-publishing an option for anyone with a tale to tell.
Someone once said, “A writer is not a writer without an audience.” I don’t necessarily agree, but I will say this: a serious writer will not be satisfied until he or she finds one.
Jealousy is an emotion we unpublished novelists know too well. Every success story of an out-of-nowhere-bestselling writer stirs up a storm of frustration, indignation, and, at times, incredulity.