When it comes to dialogue, don’t trust the word on the street
One of my earliest college writing assignments involved a little espionage.
One of my earliest college writing assignments involved a little espionage.
At a recent Allied Authors of Wisconsin meeting, I was thrilled to receive unanimously positive feedback on a particular character in the chapter I read. The only problem is all that praise went to a pretty minor character who appears in just one scene in the entire novel and doesn’t even have a name.
The problem with stories is they require people. I’m not talking about author and reader—though they, as well as their relationship, are fraught with challenges too—but rather the individuals that populate the story itself.
The Social Security Administration recently released the top baby names for 2011. I know this because I can’t NOT click on an article about baby names.
Joseph Epstein said, “Every writer is a thief, though some of us are more clever than others at disguising our robberies.” He was referring to minor counts of plagiarism—an apt description, a novel turn of phrase, a treatment of syntax that (with a minor tweak) we could pass off as our own brilliant invention. However, the thievery doesn’t end there.