Fun features with Tom Foolery
The Curse of Er’Mah’Gerd is packed with a plethora of playful puns, so for 4/1, here’s the 4-1-1 on Tom Foolery’s favorites.
The Curse of Er’Mah’Gerd is packed with a plethora of playful puns, so for 4/1, here’s the 4-1-1 on Tom Foolery’s favorites.
I recently spent five excruciating hours at my keyboard and have less than 100 words to show for it, leading me to believe that blurbs are the blight of the publishing world.
I had the pleasure of talking with students at Waupun High School yesterday. My mission: to share my educational background, professional writing experiences, writing advice, and tips for getting published with the fledgling writers.
Despite having written between one and two million words to date, only a handful of them were spent in pursuit of poetry. And whenever I did venture from the comfort zone of fiction, it was typically because a teacher assigned it.
When a fledgling writer first takes a stab at the craft, he or she is apt to make a few fundamental mistakes. One such error is assuming that the more words one uses, the better.
Joseph Epstein said, “Every writer is a thief, though some of us are more clever than others at disguising our robberies.” He was referring to minor counts of plagiarism—an apt description, a novel turn of phrase, a treatment of syntax that (with a minor tweak) we could pass off as our own brilliant invention. However, the thievery doesn’t end there.
A few years back, the English language spawned its one millionth word. Since words are the tools of a writer’s trade, one might assume the ever-expanding nature of vocabulary would result in greater creativity for the wordsmith. Sadly, this is not the case.