Tag Archives: The Soul Sleep Cycle

My book marketing marathon continues

More than a year after I published three books in one day, I’m still working on getting the word out.

In between Goodreads giveaways and soft-touch marketing for The Renegade Chronicles, I’ve been focusing on a new sci-fi series, The Soul Sleep Cycle, which may or may not debut in early 2018. But even though I’m excited to share new stories, my search for sword-and-sorcery fans is far from over

And so I’m delighted to announce a couple of upcoming book marketing events:

Speculative Fiction Cantina

Friday, May 26, 2017
5 p.m. CST
http://tobtr.com/10020673

I’ve been interviewed for author profiles on blogs here and there, but I’m tackling my first live podcast next week.

The Speculative Fiction Cantina covers sci-fi, fantasy, horror, alternate history, steampunk, cyberpunk, and “things weird and wonderful in the world of books and writers.” Author Aram Keledjian and I are tag-teaming for the May 26 episode.

In addition to the interview, I plan to do a reading from Rebels and Fools.

—Editor’s note: an archived recording of the program is available here.

Downtown Fond du Lac Wine Walk promotional image

Tour the Town Art Walk / Wine Walk

Friday, June 16, 2017
4 to 8 p.m.
Macy Place Art and Tea Shoppe, 82 S. Macy Street, Fond du Lac, Wis.

I’ll be one of two featured artists at Macy Place for Tour the Town Art Walk, and I’m delighted to announce that my partner in crime will be none other than Jake Weiss, the talented designer who created the covers for all three Renegade Chronicles novels as well as the free ebook compendium. The art walk is free.

Even better, the June art walk coincides with downtown Fond du Lac’s annual wine walk, which means we’ll all be able to raise a glass to the literary arts. Sorry, that was just hokey. Anyway, you’ll be able to chat with Jake and me, see some of the concept art for the covers and buy a book (or three). I’ll sign copies and maybe do a short reading.

I’d love to see you or hear from you on the podcast. Of course,  if you’d rather bypass all of this marketing stuff and go right to the stories, feel free to buy The Renegade Chronicles in paperback or ebook formats at any time!

 

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A glimpse into the (possible) future of augmented reality

Pokémon GO is only the beginning, people.

While Google Glass never really caught on, cell phones are finally poised to bring augmented reality (AR) into the mainstream thanks to a certain catch-’em-all mobile game. By leveraging GPS and overlaying computer-generated images on a real-world environment, Pokémon GO has taken a big, bold step forward in a technology that, prior to now, had taken a backseat to other advancements like 3D and virtual reality.

By Gieson Cacho [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

By Gieson Cacho (http://creativecommons.org/licenses/by/2.0), via Wikimedia Commons

And this is just the tip of the iceberg, folks. Even as I write this, developers, executives, and marketers are seeking out new ways to exploit AR.

Perhaps ironically, a game populated with brightly colored and sometimes cute creatures has already raised serious concerns—from at least one automobile fatality to insensitive Pokémon destinations.  Then there are instances of trespassing, distracted pedestrians, and lures that attract human victims in addition to the in-game prey.

It’s not all doom and Gloom (Pokémon pun intended), but as with any new technology, the good will inevitably be accompanied by the sinister…and the silly.

While pondering the Pokémon GO phenomenon—and admittedly participating in it—I was reminded of a short story I wrote a while back about a future where AR has penetrated every facet of society, including entertainment, commerce, and even face-to-face communication.

For all of our sakes, I hope “Ghost Mode” turns out to be an inaccurate prediction of what is to come.  It could be a cautionary tale.  Or maybe it’s just the musings of a closet technophobe.  In any event, I hope you enjoy this story of a near-future star whose search for excitement goes horribly, horribly wrong.

Your password: celebulicious

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Reblog: Pantsers vs. Plotters

Once upon a time, the stories poured from my fingertips.

Back in the early days of my Quest for Publication, I was equipped with naught but a trusty Pilot pen, a five-subject Mead notebook, and a plethora of ideas. Eventually, I upgraded to a keyboard and computer.

After transcribing tome after tome of intertwining fantasy storylines from my neat (read: girly) handwriting to single-spaced Times New Roman, I typed up additional supplemental materials. I sketched out maps, chronicled centuries of history, invented religions, drafted character profiles, and crafted the very rules of the universe.

I was world building, damn it, and every fantasy author worth his sword needs to know his setting inside out.

I wrote this blog post for nyareads.com. Read the entire post here.

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Infrequently Asked Questions

Writers spend a lot of time talking to themselves.

Portrait of author David Michael Williams

“Are you ready for the interview, David?” “Yes, David, I am.” | Photo by Jaime Lynn Hunt

We invent conversations between imaginary people, imagine a series of actions, and then transcribe what happens in our mind to the page. The hope, of course, is that one day there will be readers to hear that proverbial tree falling in the woods.

In addition to millions of words of fiction, I have written hundreds of pages while planning and plotting my novels. When I go back and read through those notes, I come off like a crazy person, sharing ideas and options with no one but myself.

And yet I felt even more like a lunatic when composing the author Q&A for my online press kit.

The goal of the Q&A is to provide reporters with an easily digestible document for learning more about me as an author as well as my books. In the exercise, I play both the role of interviewer and interviewee, asking myself questions to which I already know the answers.

In the spirit of embracing the insanity, I’m going to share the dialogue (or is it a monologue?) below. Maybe someday I’ll have partaken in enough interviews to compose a true FAQ, but in the meantime, please enjoy my Infrequently Asked Questions:

What are The Renegade Chronicles about?

On the surface, The Renegade Chronicles is about a civil war in the magical, medieval world of Altaerra. The most powerful peace treaty in history is on the verge of collapse, and a certain band of rebels has made it their mission to learn who is really pulling the Alliance of Nations’ strings—and why.

The series is firmly entrenched in the sword-and-sorcery fantasy genre, though there are elements of mystery, suspense, and even comedy. While the world of Altaerra is populated with mythical creatures like elves and ogres, the series focuses primarily on humans caught up in political intrigue and matters of life and death.

In a nutshell, The Renegade Chronicles is about war, unexpected alliances, magical swords, unholy crusaders, redemption, and hope.

Whom are The Renegade Chronicles about?

The series features a wide array of characters, including thieves, knights, pirates, wizards, and assassins. Everyone has his or her own agenda, and most people believe they fight for “the side of right.” But a major theme woven throughout the series is that the truth tends to fall somewhere between black and white.

The main characters are the Renegades, a ragtag band of rebels brought together by a twist of fate, including Klye, a former thief and self-proclaimed leader; Ragellan, a disgraced Knight of Superius, and his protégé Horcalus; Othello, a taciturn forester; Plake, a former rancher who thinks with his fists; Scout, an explorer who knows the island better than most; the pirate king Pistol and his loyal first mate, Crooker; Arthur, a young runaway; and Lilac, a mysterious woman with an enchanted blade.

You can learn more about them here: david-michael-williams.com/renegade-chronicles/meet-the-renegades/.

Who is your favorite character?

That’s like asking me who my favorite child is!

I suppose I have many favorites. Klye Tristan, the Renegade Leader, is probably the easiest for me to write; I’ve known him the longest. Characters like Scout and Noel are gems because they provide comedic relief. I have a lot of respect for Horcalus and Stannel Bismarc, both men of principle. And as obnoxious as Plake can be, he’s undeniably a catalyst when it comes to the plot. Zusha is a lot of fun, too, because of her unique perspective.

What is the setting for The Renegade Chronicles?

The story takes place in the fantastical world of Altaerra, which is home to many different peoples, including humans, dwarves, elves, ogres and a few other traditional fantasy races. And there are a few species that are unique to Altaerra alone, such as the dreaded midge.

Readers of The Renegade Chronicles will traverse the breadth of the island of Capricon, which is populated primarily by humans and defended by the Knights of Superius. The island is home to temples, castles, foreboding mountains, abandoned settlements, and no shortage of secrets.

You can see the map of Capricon here: david-michael-williams.com/renegade-chronicles/capricon/.

Who will enjoy The Renegade Chronicles?

Fans of fantasy fiction who like fast-paced, action-packed plots, a robust cast of characters, and plenty of plot twists will appreciate The Renegade Chronicles. The focus is on the individual adventurers, most of them humans, and while the series borrows from established fantasy tropes, folks who have never read fantasy books before should be able to grasp and enjoy these stories.

The Renegade Chronicles would be a good stepping stone for teens who grew up on Harry Potter and are looking for a series that features more mature characters. They’re ready for something with a little more grit—but not something as brutal as George R.R. Martin’s Game of Thrones. Having said that, I also believe adults of all ages can appreciate these adventures.

What makes The Renegade Chronicles unique?

I’ll be the first to admit that the series is something of a throwback to the sword-and-sorcery stories I grew up with. It’s not as arch and grueling as Tolkien, and it’s certainly more lighthearted than the gritty urban fantasy that has gained popularity in recent years.

I published The Renegade Chronicles for people, like me, who want a healthy balance of high-stakes danger and good, old-fashioned fun.

What are The Renegade Chronicles “rated”?

If this were a movie, I’d say a hard PG or a soft PG-13. There is mild language and a few sexual innuendos. There’s also violence, and characters do die occasionally. But blood and gore are not the focus.

Where can someone buy The Renegade Chronicles?

All three paperbacks are available at Amazon.com. The e-book editions—including a three-in-one collection with a bonus appendix detailing the people, places and particularities of Altaerra—are exclusively available at the Kindle Store.

You can find a series of direct links here: david-michael-williams.com/renegade-chronicles.

How long did it take you to write the books?

The first book, Rebels and Fools, took the longest. I wrote the first draft while attending college and rewrote the entire manuscript my senior year. Volumes 2 and 3 took a year apiece to write (two drafts each).

When I came back to the manuscripts in late 2015, I dedicated a month to each one, refining them and making substantial edits.

What do the titles mean?

Don’t get me started on how difficult it is to come up with compelling novel titles!

All three titles hint at the duality of the characters. For example, Rebels and Fools—does that mean the enemies of the rebels are the fools, or are the rebels themselves fools? The same goes for Heroes and Liars and Martyrs and Monsters. The ambiguity is intentional and, in fact, integral.

Why do fantasy series always seem to be trilogies?

That’s an arcane secret…kind of like why every potion requires “eye of newt.” In all seriousness, I don’t think I set out to write three books specifically. I always knew where Volume 1 would end, and after I finished Volume 2, I realized it would take only one more installment to complete the main story arc.

But it’s altogether possible additional volumes could be published somewhere down the road. The Renegades have many adventures ahead of them.

Why did you decide to publish all three at once?

We live in an age of instant gratification. I know I hate waiting for a writer to finish the next installment in a series. Since I already had written all three novels, it didn’t make sense to stagger the releases of Volumes 2 and 3. If someone enjoyed Rebels and Fools, I didn’t want anything getting in the way of their buying Heroes and Liars and Martyrs and Monsters immediately.

It’s a similar philosophy to Netflix series in which an entire season is released all at once. People like to “binge watch,” so why not “binge read”? The Renegade Chronicles is like House of Cards—only with magical swords.

Why did you decide to publish The Renegade Chronicles yourself?

I wrote three complete manuscripts before searching for an agent to represent the series or a publisher to buy it. And, frankly, no one was interested. To be fair, the first book was bloated—175,000 words is too long for an unknown author’s first book—and all three books needed copious edits. The decade in between finishing the third book and revisiting the series provided me with the skills and the objectivity to go back and fix the manuscripts.

The bottom line is I had faith in the stories and the writing, and I wanted others to be able to enjoy them. Creating my own independent publishing company, One Million Words, was a means to that end.

Why did you name your publishing company One Million Words?

A good friend of mine once told me that anything an author writes before one million words are just “finger exercises.” It’s a derivative of a familiar adage that proclaims a writer must put in a ton of practice before he or she will be any good. After he told me that, I did a word count and was pleased to report back that I had, in fact, already written one million words of fiction.

There are also roughly one million words in the English language. Plus I thought “One Million Words” had a nice ring to it. I had been using that phrase for my blog and social media accounts for years, so when it came time to create my own imprint, I couldn’t think of a more appropriate name.

Where did you find inspiration for this series?

I’ve been a fan of fantasy since before I even knew what fantasy was. Books, movies, television, video games—I always gravitated toward medieval settings and magical adventures. I wholeheartedly fell in love with the DragonLance books when I was in high school, and I was a big fan of the Final Fantasy video game series before that. I wanted to create a rich world of my own, a mystical playground for the characters that popped into my head.

Who are your favorite authors?

Some of my favorite fantasy authors are Margaret Weis and Tracy Hickman, not only because of their contributions to the DragonLance saga, but also for the Death Gate Cycle; R.A. Salvatore, primarily for his DemonWars series; Neil Gaiman; George R.R. Martin; and, of course, J.R.R. Tolkien, the grandfather of the fantasy genre.

Beyond fantasy, I’m a big fan of William Faulkner, and one of my favorite novels of all time is Alexandre Dumas’ The Count of Monte Cristo.

What was the biggest challenge in publishing The Renegade Chronicles?

When you are preparing to publish three novels in two formats (print and digital), there are a lot of moving parts. On top of that, I held myself to a very aggressive timeline. When things are running that tight, even a minor setback can impact a lot of other tasks.

To tell the truth, I think my greatest challenge still lies ahead: marketing the series and reaching new customers.

Will there be any future books in The Renegade Chronicles?

I’d love to write more stories about Klye Tristan and the gang. I have plenty of additional plots already mapped out, so jumping back into Altaerra wouldn’t be difficult. I’ve written a complete draft of a novel starring a young wizardess who will eventually cross paths with the characters from The Renegade Chronicles. The epilogue of Martyrs and Monsters hints at that storyline.

By and large, sales of the first three volumes will determine whether I can afford to return to this world.

What is your next project?

I’m stepping away from Altaerra for at least a little while. I’m in the middle of writing a science fiction series called The Soul Sleep Cycle. While my agent looks for a buyer for the first two books in that series (If Souls Can Sleep and If Sin Dwells Deep), I’ll be working on the third novel, If Dreams Can Die.

Do you have any advice for other writers?

Oh, I have lots of advice—mostly lessons I’ve learned along the way. I include writing tips on my website, david-michael-williams.com.

What I will say is I’m glad print-on-demand publishing was not available when I was in my early twenties. Self-publishing almost makes it too easy to put one’s work out there, and I’ve seen plenty of examples of dabblers and amateurs publishing before they are ready.

I fear that I would have been among them; if I had published The Renegade Chronicles before 2016, they would have been an inferior product. My advice to young writers is to wait until you’re prepared to treat your fiction as a business before considering self-publishing.

What are your long-term goals?

First and foremost, I want to continue to publish my novels, whether through a traditional publishing house or through One Million Words. I have a lot of ideas, so here’s to hoping I find readers who appreciate my stories and will support my dream of getting paid to do what I love.

In addition to novels, I’d love to write for a video game or a graphic novel. My wife says I should produce a pun-a-day calendar. At this point, I’m keeping everything on the table.

Any other questions for the author? Shoot them my way in the comments section!

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A different class of writing

Spending time with young people can make you feel old, but it can also make you feel young, too.

I had the pleasure of talking with students at Waupun High School yesterday. My mission: to share my educational background, professional writing experiences, writing advice, and tips for getting published with the fledgling writers—in 45 minutes or less.

waupun-warriors

Despite my best efforts, I might have uttered “when I was your age” at least once.

In all seriousness, it was a very casual environment, and even though I did most of the talking, I couldn’t help but be a little inspired as we went around the circle, and the students told of their current projects and future ambitions.

Because I’ve been up to my (pointed) ears in editing a certain fantasy trilogy, I hope you’ll forgive me for taking a shortcut here by repurposing my notes from yesterday’s spiel—quasi-transcripts, if you will.

Hopefully, you’ll find a nugget or two of wisdom regardless of where you are on the path to authorhood.

My story

I started writing in earnest in high school. My fantasy tales bore a resemblance to the books I was reading at the time: DragonLance, Forgotten Realms…you know, books with dragons on the covers. Mostly, I engaged in world-building exercises and episodic storylines, though there was at least one false start to a novel

By senior year, I knew I wanted to be a novelist. At UW-Fond du Lac, I signed up for an independent study writing course. It turned out to be a one-on-one with a professor, where I delivered a chapter for her to critique each week. This was one of the most valuable college courses I ever took, and I learned an awful lot about the basics of storytelling, the importance of word choice—and how to meet deadlines.

In those two years, I wrote two-thirds of what would come to be Volume 1 of The Renegade Chronicles. When I transferred to UW-Milwaukee, I completed the first draft and then rewrote the entire manuscript from scratch senior year since my writing style—not to mention skill level—had dramatically changed since freshman year.

I submitted chapters of my book for various writing workshops, and peer review also proved incredibly valuable. (Though in one class, I had to convince the professor that genre fiction had merit before we were allowed to present fantasy, sci-fi, romance, etc.)

Meanwhile, I took as many literature and linguistics classes as I could. Beyond English courses, I signed up for philosophy, psychology and a ton of history courses. An all-too-common adage dictates one should write what one knows. Ergo, the more you know, the more you can write about.

I somewhat regret I didn’t take any journalism, marketing, or radio/TV/film classes. At the time, I wanted only to write fiction, so none of those related disciplines appealed to me. Then again, I picked up many of those skills later in life.

After graduating with a bachelor’s degree in English with an emphasis on creative writing, I taught for a year in China, where I had my favorite job title to date: foreign expert. While overseas, I wrote a sequel. I also tried to publish a short story I had written in college (to no avail) and researched agents to represent my fantasy novels.

When I returned to the U.S., I got cracking on Volume 3—while racking up rejections for Volumes 1 and 2.

I was fortunate to find an entry-level position at a newspaper. As a news clerk, I mostly was responsible for formatting lists, such as marriage licenses and school lunch menus. (Have you ever questioned the proper spelling of “tri-tater”?) I typed up letters to the editor, too.

But I also got to do some proofreading and wrote an article here and there. In less than I year, I was promoted to entertainment writer and editor. I picked up a slew of skills in the newsroom—writing and proofing using AP style, headline writing, lead writing, pagination/layout, the basics of photo editing.

Most importantly, I learned the virtues of brevity.

After a few years, I went to the “dark side”—public relations and marketing. At UW-Oshkosh, I wrote press releases, coordinated interviews with faculty and staff, wrote articles for the online news publication and the alumni magazine, became a wiz at Word Press and other content management systems, taught myself project management, and supervised student interns.

I learned even more when I became an account executive at BrownBoots Interactive, including more website skills, search engine optimization (which injects a lot of science into the art of writing), writing for TV and radio commercials, managing multi-channel marketing campaigns, estimating on projects, blogging, and much more.

That’s right, the guy who couldn’t care less about journalism, public relations, and marketing in college grew to appreciate them and, if I do say so myself, excel at them.

But my dream has always been to be a novelist…

About 10 years ago, I joined Allied Authors of Wisconsin. Because I couldn’t get an agent to bite on The Renegade Chronicles, I decided to go outside of my comfort zone and wrote a sci-fi novel that got very good feedback from my beta readers. An agent, who is also a member of AAW, elected to represent If Souls Can Sleep.

And because I didn’t learn my lessons with The Renegade Chronicles, I wrote a sequel before selling the first one.

My wife and I wrote a children’s chapter book to test the waters with self-publishing. (More on that here and here.) But between a full-time career and family obligations, I always felt as though my fiction got short shrift.

Earlier this year, I decided I to take a chance and put my fiction on the front burner. I transitioned to a new role at the agency to allow for larger pockets of time for writing and editing fiction. I created a business plan and am committed self-publishing The Renegade Chronicles in 2016.

My long-term goal—my dream—hasn’t changed remains the same: I want to make a living writing fiction.

Writing advice

There’s no shortage of writing advice out there (and sometimes tips contradict). But here is some advice my mentors gave me “back in the day”:

  • Margaret Weis: “Treat your writing like a job. Write on a schedule.”
  • R.A. Salvatore: “If you can quit, then quit. If you can’t, you’re a writer.”

I’ll add a few of my own observations to the mix:

  • Embrace a variety of life experiences—everything is fodder for your writing.
  • Learn as much as you can about the industry and gain related skills. Even traditionally published authors have to be business-minded marketing experts.
  • Write as many different kind of things as you can because you might be surprised at what you’re good at…and what you might enjoy.
  • Don’t turn your nose up at any writing gig—even if it’s the company newsletter—because everyone has to start somewhere.
  • Get feedback from others (e.g., writers groups, online forums) but realize that not all critiques are created equal. Not everyone is your target audience, and ultimately, it’s your story.
  • Always write what you love and do whatever you can to hold onto that passion.
  • Most importantly, don’t give up.

Tips for getting published

A lot has changed since I was in high school. Back then, you were supposed to write and publish short stories (which I sucked at), and you couldn’t hope to publish a novel without an agent. Also, self-publishing was for losers, and vanity presses that preyed on amateur writers made it expensive, too.

Today, self-publishing is both respectable and profitable. Print-on-demand means publishing a book is relatively inexpensive, though there are outside costs like proofreading and cover design. The biggest challenge is getting noticed above the noise.

As someone who is still on the path to publication, I don’t have any surefire secrets for becoming a bestseller. I do, however, have a couple of tips:

1. Don’t publish before you’re ready. After more than a decade between drafts, I’m now hacking apart The Renegade Chronicles, and they’ll be much better for it. And do your homework to avoid wasting your time…or getting sued.

2. Don’t be afraid to take chances. By the time you’re ready to publish a novel or a comic book or your memoirs, a lot is going to have changed. It’s never been a better time to be a writer, but it’s also the Wild West of publishing right now. If you want to get noticed, you have to experiment.

If you follow the crowd, you’ll always be behind.

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One Million Words…and more

I’ve written some pretty strange things over the years.

Just last week, I wrote the text for a sell sheet that compares website services to automobile maintenance—despite knowing next to nothing about cars. Years ago, I scripted a mock press conference starring the chancellor of a public university and the ice-cream-cone mascot of a local burger franchise. Once I even dedicated a newspaper column to the topic of dust.

Subject matter aside, I’ve had the privilege of producing a wide array of written works throughout my professional life, including journalistic articles, press releases, text for various marketing brochures and websites, ad copy, scripts for television and radio commercials, and a job posting modeled after the inscription on Tolkien’s One Ring of Power.

But few things pushed me farther outside my comfort zone than the business plan I recently put together.

That’s right, soon One Million Words will be more than just an informal brand for my fiction. In the next few months, I plan to start my own business to better coordinate my writing and publishing efforts.

Last month, I struggled with the question “What now?” I couldn’t decide whether I wanted to jump into the next book of my current series, revisit some of my older works, or explore something completely new. Before I could determine my next steps, I needed to map out my goals. And if I were really going to treat my writing like a business, the numbers had to have a say in the solution.

In other words, if I wanted to survive, I needed a source of income.

While I remained (and still remain!) hopeful my agent will be able to sell the first two books of The Soul Sleep Cycle, I couldn’t bank on that—given how slowly the traditional publishing industry moves.

Which meant I needed to find another revenue stream in the meantime.

The Renegade Chronicles—a sword-and-sorcery series I wrote years ago—was the obvious low-hanging fruit. My goal is to self-publish those books in paperback and as e-books in the first quarter next year to maximize my sales window in 2016.

As much as I’d love to plow forward into Book 3 of The Soul Sleep Cycle, I now find myself contending against an admittedly aggressive deadline. There’s a chance that in between editing and proofing The Renegade Chronicles, commissioning cover art, refining my marketing plan, and publishing that trilogy, I’ll be able to crank out a character profile or two as well as a chapter outline for If Dreams Can Die, but if not, it will have to wait until April.

These past few days, I’ve been spending as much time staring at spreadsheets as Word documents. As much as I crave the chance to sink my teeth into something more creative than business planning and editing, the left side of my brain thrives on organizing tasks and timelines.

It’s a lot of work—and a far cry from my carefree approach to fiction back when I first penned The Renegade Chronicles—but no one ever said living the dream would be easy.

Truth be told, I’m quite pleased with how the business plan turned out (and sincere thanks to Denise Grover Swank, whose business plan at The Writer’s Guide to E-Publishing served as my model). While it’s intimidated to see a list of 50-plus to-dos staring back at me when I open my spreadsheet, it feels damn good to have a destination.

And now I must return to a task that’s at least as daunting as writing a business plan: coming up with better titles for the three Renegade Chronicles books.

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Pondering my next writing project

My favorite questions tend to start with “what if.” Lately, however, this writer has been asking himself, “What now?”

intersection with many signs and directions

Source: Ernie & Katy Newton Lawley, http://www.flickr.com/photos/lawley/59402926/ via Wikimedia Commons

Ever since I started plotting out If Souls Can Sleep nearly nine years ago, I’ve had a clear path in front of me when it came to my fiction. The road wasn’t always a straight line by any stretch—for instance, my wife and I wrote a children’s book in between the first and second draft of If Sin Dwells Deep—but I always had more tasks than time to complete them.

Until last week.

With the first two installments of The Soul Sleep Cycle in my agent’s hands, I find myself at an unexpected crossroads, where past, present, and future compete for my attention. And for the life of me, I can’t decide which path is the most prudent.

Option 1: The Past

Once upon a time, I wrote a sword-and-sorcery fantasy series called The Renegade Chronicles. I couldn’t get agents or publishers interested. Rather than invest more time in fixing it, I decided to try something completely different. The result was If Souls Can Sleep.

For many years, I’ve had the notion to go back and self-publish the TRC. After all, just about every article I’ve ever read about becoming a profitable author espouses the virtues of having a large number of titles for sale. Some of those same sources heavily imply that quantity trumps quality…

Then again, just as many advice columns say that an author’s No. 1 marketing tool is a well-crafted manuscript—in other words, the best story you can write.

(And what to do when writing tips contradict?)

Last week, I reread the first third of Book 1 of the TRC to see just how much dust had collected over the past 14 years. While it wasn’t as cringe-inducing as a feared it would be, one thing was clear: that book, along with the other two, would need copious edits.

The best-case scenario would be a performing a series of substantive edits on all three books, cutting out superfluous text, fixing awkward words and phrases, and eradicating all types of typos. In addition to removing excess, I detected a dearth in setting and sensory details throughout. The prologue was rubbish, too.

Pros for revisiting the past

  • Repairing something that’s already written is bound to be easier than starting anew.
  • This is the fastest way for me to publish several books in one fell swoop—and, hopefully, start generating revenue.
  • I invested seven-plus years in TRC, so dedicating another six to twelve months seems like a small price to pay in order to potentially profit from all that work.
  • If TRC finds an audience, I have a slew of storylines saved up for that particular universe.

Cons for revisiting the past

  • After so much time away, I’m not particularly passionate about this project.
  • Even with substantive edits, the final product will not reflect my current skill level.
  • Therefore, it will take an awful lot of willpower to refrain from completely rewriting the series, which would be quite time consuming.
  • More editing? It’s been more than three years since I wrote a new book—or, more precisely, co-wrote The Pajamazon Amazon vs The Goofers Twofers—and I’m itching for the chance to jump back into the more creative aspects of creative writing.

Option 2: The Present

With at least one book left to write in The Soul Sleep Cycle (and hopefully a few more), I’d be lying if I said I wasn’t eager to wrap up the major story arc that I started back in 2006. However, I’m reluctant to invest the time in Book 3 before I see whether the first two garner any interest—and sales—either via traditional publishing or indie publishing.

To forge ahead or take a break from the series—that is the question.

Pros for living in the present

  • I already have a pretty good idea of what this book will be about and what needs to happen before the end.
  • Having just finished major edits to If Sin Dwells Deep and minor edits to If Souls Can Sleep, the complexities of the story are still fresh in my mind.
  • I’m still very excited about this series, and, honestly, I can’t imagine not writing this book at some point—if only for closure.
  • If traditional publishers don’t buy the trilogy, I’ll have three books ready to self-publish simultaneously. (Hey, it works for Netflix.)
  • I’m confident that the project would push me creatively and that I’d be proud of the final product.
  • While not as easy as editing TRC, writing Book 3 of The Soul Sleep Cycle would still be simpler than coming up with a completely new idea for a novel.

Cons for living in the present

  • If ISCS and ISDD don’t prove profitable—regardless of whether I or a traditional publisher sell them—then spending time writing the next book in the series would be rather pointless. (See also: The Renegade Chronicles.)
  • Even with my new writing schedule, it could take me a couple of years to plot out this story, write it, and then edit it.

Option 3: The Future

I don’t know about other writers, but I always have a slew of story ideas rattling around my gray matter. I jot down some of these story starters in a Word file. In most cases, a few paragraphs are enough to placate that which is threatening to distract me from my current project. Such was the case with a young adult time-traveling tale, a twist-filled take on a traditional fairy tale, and a book about zealots bent on triggering Armageddon.

But then there are stories that can’t be so easily exorcized. For more than a year, I’ve found my mind wandering to a new novel—or series—codenamed “Changelings.” Last week, I finally relented and wrote a few pages about a potential plot and the people to populate it.

Could this be my next novel?

Pros for embracing the future

  • Jumping into a brand-new book would be undeniably energizing, not to mention fun. (I haven’t written a first draft a story since “Ghost Mode” in 2013!)
  • I already have a viable avenue to explore: Changelings.

Cons for embracing the future

  • I have no idea whether any of my ideas, including Changelings, will bear fruit.
  • Even if I were to write a complete manuscript for Changelings, there’s no guarantee it would be publishable.
  • Planning aside, starting afresh will surely be the most time-consuming approach. If my goal is to publish something pronto, this option is out of the question.

Of course, there are other possibilities. I could focus on non-fiction, repurposing some of my old Generation Why? columns or mining this blog for writing-related topics in order to make my self-publishing debut. Or I could give into one of my friend’s urgings and try my hand at a biography of some fascinating historical figure.

But the fact is my passion for writing has always focused on fiction.

“What next?” has almost never been a problem for this writer. Perhaps I should spend a little time exploring past, present, and future—each in turn—and see which project captures my soul. Then again, I suspect I already know where my heart lies.

Perhaps that’s another advantage of “living the dream.”

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