Storytelling comes full circle
I wouldn’t think be the writer I am today if I hadn’t bought my first Dragonlance book as a sophomore and hadn’t already been a big LEGO fan.
I wouldn’t think be the writer I am today if I hadn’t bought my first Dragonlance book as a sophomore and hadn’t already been a big LEGO fan.
I finally whittled down my stack of short stories to be included in my upcoming collection, and I couldn’t have done it without the help of my ruthless beta readers.
After months of following a methodical approach to planning my novel, it’s finally time to put fingertips to keyboard and actually write The Lost Tale of Sir Larpsalot.
For reasons beyond my understanding, my brain likes inventing personas—everything from wacky facades to keep small children entertained to personalities projected onto passersby. Everyone has a story, after all.
For this phase, I found myself face to face with that most odious and onerous of literary formats: the synopsis.
Welcome back to my mad experiment, where I attempt to create a novel using a ten-step approach to plotting, character development, and more.
Some of my favorite villains are those who see themselves as heroes, and Annette Young falls wholeheartedly in that flock.
One of the most exciting things a writer can do is push a character outside of his comfort zone. It turns out the same is true for writers themselves.
Writers never kill their darlings. We just lock them away…in a dungeon…indefinitely…
Answer: I have no idea — even after writing nine of them. Maybe some authors have a formula that produces consistent results, but for me, the question is too nuanced to allow for a simple solution.